X: The Man with the X-Ray Eyes (1963)

X: THE MAN WITH THE X-RAY EYES (1963) ****

I had wondered long and hard for many years where Al Jourgensen found a certain sample for a cover version of Black Sabbath’s “Supernaut” that appeared on the Ministry greatest hits compilation “Greatest Fits.”

This incredible sample about halfway through “Supernaut” goes something like, “I’ve come to tell you what I see. There are great darknesses. Farther than time itself. And beyond the darkness … a light that glows, changes … and in the center of the universe, the eye … the eye … the eye … the eye … the eye.”

There I was minding my own fucking business on a hot Saturday night in early June 2020, watching the thrilling conclusion of a pretty damn good little science fiction horror movie called X: THE MAN WITH THE X-RAY EYES, directed by Roger Corman and starring the reliably good Ray Milland. Then, hot dog, what do I hear but “I’ve come to tell you what I see. There are great darknesses. Farther than time itself. And beyond the darkness … a light that glows, changes … and in the center of the universe, the eye that sees us all.” I said to myself, “You magnificent bastard! That’s that sample from ‘Supernaut!’”

Before that discovery, I already thought X was one groovy movie. After that discovery, though, I am convinced it’s a great movie.

I must admit upfront to having a bias in favor of Ray Milland (as well as Roger Corman, for that matter). Milland (1907-86) has never let me down so far and that includes his Academy Award-winning performance as a struggling alcoholic writer in Billy Wilder’s THE LONG WEEKEND, his battle of minds with John Williams’ Chief Inspector Hubbard in DIAL M FOR MURDER, his ultimate cantankerous old coot Jason Crockett in FROGS, his ultimate hateful old bigot Maxwell Kirshner in THE THING WITH TWO HEADS, and his better-than-average Disney live-action villain Aristotle Bolt in the better-than-average Disney live-action film ESCAPE TO WITCH MOUNTAIN. To be honest, I enjoy FROGS every bit as much as DIAL M FOR MURDER and Milland proves responsible for much of the enjoyment of both films.

He’s very good in X as Dr. James Xavier, whose name immediately puts the X-Man character Charles Xavier to mind. Are they related?

In X, Xavier develops special eye drops that give himself X-ray vision and with this great power comes terrible repercussions, of course. Xavier just cannot stop himself from pushing the limits farther and farther. He must see what no man has ever seen before. His friend and colleague Dr. Brant (Harold J. Stone) tries stopping Xavier and Xavier accidentally kills Brant. Xavier goes on the run, first to a carnival, then to a Las Vegas casino, and finally to a religious tent revival that leads to one helluva conclusion.

One of the great scenes begins when Xavier’s lovely colleague Dr. Diane Fairfax (Diana Van der Vlis) takes the X-Man to a groovy little party where everybody just loves to do the Twist. Xavier’s X-ray vision kicks in at some point and we ponder what this scene would have been like had the movie came out in 1969. Even greater.

Before closing soon, I should mention Don Rickles’ strong performance and Dick Miller’s enjoyable one as carny heckler.

X: THE MAN WITH THE X-RAY EYES should be a treat for Corman, Milland, science fiction, horror, American International, sample, Black Sabbath, Ministry, Rickles, and/or Miller connoisseurs. Speaking only from personal experience, it was for me.

The Thing with Two Heads (1972)

THE THING WITH TWO HEADS (1972) Three stars

Former NFL player Rosey Grier and 1946 Academy Award for Best Actor winner Ray Milland are the two heads. Let’s get that out of the way right from the start.

Top-billed Milland plays a brilliant scientist with terminal cancer who finds trial success with a two-headed gorilla (Rick Baker’s preparation for KING KONG). He comes up with a diabolical scheme to keep on living. Just like Spinal Tap lead singer David St. Hubbins once said, “It’s such a fine line between stupid, and clever.”

Second-billed Grier plays a convicted murderer on Death Row who has volunteered his body to medical science.

Doctors transplant Milland’s head onto Grier’s body, since both are running out of time. Maybe the wrong Grier, because just imagine Milland’s head, for example, on Pam Grier’s body. Now, that would be interesting. American International Pictures could have made it happen, at least for a sequel, but unfortunately it’s too late since Milland passed away in 1986.

You might not believe this, but Grier’s Jack Moss is an innocent man and Milland’s Maxwell Kirshner is an unapologetic racist. Try and imagine a TV show where they put Archie Bunker’s head on George Jefferson’s body.

Honestly, I don’t think THE THING WITH TWO HEADS takes off until it gets Milland and Grier out of the hospital and into the open after their transplant. That’s about the halfway point of the picture, when they kidnap black doctor Fred Williams (Don Marshall) and Moss and Kirshner both do their best negotiating to get the good doctor on their side. They both face challenges, in Moss being on Death Row and Kirshner being an unrepentant bigot. They both want the other head removed.

THE THING WITH TWO HEADS devotes several minutes to a chase scene with many police cars in hot pursuit of a “two-headed monster.” You really have not lived until you see this chase, especially after Grier and Milland commandeer a motor bike, make their way through a race course, and evade 14 crashing police cars en route to a safe haven. These policemen are incredibly incompetent: They cannot shoot, cannot drive, and cannot even close a trunk on their downtrodden squad cars. Yes, they do drive, but just look at their end results. Like a test reel for SMOKEY AND THE BANDIT and THE BLUES BROTHERS.

Milland plays basically the same character that he does in FROGS, another 1972 production from American International; FROGS came out on March 10 and THE THING WITH TWO HEADS on July 19. Milland sinks his teeth into the dialogue in both films and he gives off the feeling of an unhappy camper in both performances, but it works for his characters. Reportedly, Milland sweated so much during the production of FROGS, filmed in the Everglades, that his toupee fell off several times; additionally, he hated the production so much that he left it three days early.

Grier, meanwhile, has lived an interesting life to say the least and a starring role as one of the heads in THE THING WITH TWO HEADS barely scratches at the surface of that life, believe it or not. Grier played college football at Penn State and then professionally for the New York Giants and the Los Angeles Rams from 1955 through 1966. He served as a bodyguard for Robert Kennedy during the 1968 presidential campaign and it was Grier who subdued assassin Sirhan Sirhan. Grier hosted a TV show, enjoyed a recording career, became an ordained minister, spoke at the 1984 Republican National Convention, and entertained running for the Governor of California in 2018, lest we forget Grier’s 1973 book “Rosey Grier’s Needlepoint for Men.” He’s the last living member of the Rams’ “Fearsome Foursome,” a defensive line that included Deacon Jones (1938-2013) and Merlin Olsen (1940-2010).

Grier even gets to show off his singing ability just a little bit in the final moments of THE THING WITH TWO HEADS and let’s just say that, of course, the film ends on “Oh Happy Day.” It is just that kind of a movie.

NOTE: I would assign the film’s trailer four stars. It is 2 minutes, 21 seconds of greatness, especially with that dynamite opening line “It seemed like a good idea at the time,” which might just be exactly what many people have said after seeing THE THING WITH TWO HEADS.