Arachnophobia (1990)

ARACNOPHOBIA (1990) ***1/2
Arachnophobia is another one of those movies from the late ’80s or early ’90s that I must have watched a hundred times back when it first played on cable TV.

File it alongside such movies as Back to the Future 2, the first two Bill & Ted movies Excellent Adventure and Bogus Journey, The Great Outdoors, Gremlins 2, Terminator 2, Total Recall, Tremors, and Young Guns. Those are the ones that quickly come to mind.

Recently revisiting Arachnophobia again for the first time in many years, I have to admit that I remembered a good number of the scenes, especially during the second half of the film when the spiders go wild on the fictional small town Canaima, California. I blurted out John Goodman’s line before his exterminator character Delbert McClintock says Rock and roll! I had a lot of fun with it around the age of 13 and I still had a lot of fun with it at 44.

You can have a good old time with Arachnophobia, just like Tremors, because it doesn’t go too far into extreme gross-out territory with the shock moments and death scenes, it has predominantly quirky and likable characters that you can support for the length of a silly, spooky monster movie, it straddles that razor-thin line successfully between comedy and horror, and it enjoys preying upon our fear of the unknown. I don’t have arachnophobia, or an extreme or irrational fear of spiders, but that doesn’t necessarily mean I want a surprise in my size 12 shoe either.

Arachnophobia gives us a lot of familiar character archetypes.

For example, we have the highly educated big city doctor with the loving wife and two small children who relocate to a small town to get away from all the hustle and bustle. They have his new practice, her severance pay, and they also have each other. It goes without saying, of course, that our doctor suffers from arachnophobia.

The crusty old doctor who takes back his retirement after the young doctor and his family already made their move into a new house and who then seemingly opposes the young doctor at every turn during his subsequent effort to set up shop in the small town. He’s also the resident disbeliever when the spiders begin mounting their body count, and the younger doctor wants an outrageous autopsy because he doesn’t believe it was a heart attack.

The local head law enforcement officer who resents somebody like the highly educated big city doctor.

The straight-shooting but friendly old widow who takes an instant shining to the young doctor and who volunteers to be his first patient in a new town.

The football coach and his wholesome All-American family and the funeral home director and his penchant for jokes that never quite land.

Also, the world’s foremost expert on spiders, who Arachnophobia introduces before any of the small-town characters with a prologue set in Venezuela.

See, Dr. James Atherton (Julian Sands) and crew discover a new species of spiders, very large and very deadly, and one of the specimens hitches a ride in the coffin of his first victim Jerry Manley (Mark L. Taylor), a photographer from Canaima, California.

Our lethal spider makes his way out from the coffin and ultimately into the barn of the young doctor named Ross Jennings (Jeff Daniels). He crossbreeds with a local domestic spider that Jennings’ wife saves from their new house and relocates to their barn. The Jennings not only have the barn but also the cellar that’s very convenient for spiders and their nests, and their eventual world domination.

Daniels has been one of the most reliable actors in the movies, and his presence almost guarantees quality. His 88 acting credits include Terms of Endearment, The Purple Rose of Cairo, Something Wild, Gettysburg, Speed, Dumb and Dumber, Pleasantville, The Squid and the Whale, and The Martian. He’s very good as Jennings and this character and performance come across to the audience like Roy Scheider as Martin Brody in Jaws because he’s terrified by spiders just like Brody was not the biggest fan of water. In the end, though, it’s Jennings and Brody who overcome their greatest fears.

Goodman attempts to steal the movie with great moment after great moment. He’s a strong and steady injection of humor especially when the horror kicks into overdrive around the midpoint of the 110-minute film. I wouldn’t be surprised to find out if Goodman’s Delbert McClintock and Michael Gross’ Burt Gummer are related.

I prefer Tremors over Arachnophobia, because Kevin Bacon and Fred Ward are absolutely fantastic and trump any of the characters in Arachnophobia, Finn Carter’s Rhonda LeBeck is not cast aside for large chunks of the movie like Harley Jane Kozak’s Molly Jennings, and I just think it’s a better overall movie.

Both films, though, do a fine cinematic tradition justice.

Tremors (1990)

TREMORS (1990) ****
The title Tremors immediately conjures up such science fiction and monster movie touchstones from a long-gone era as Tarantula and Them!

Matter of fact, though it does not approach the suspense in Them, Tremors belongs filed right alongside the classic horror films of the ’30s and the science fiction films of the ’50s from predominantly Universal Studios.

Tremors also calls to mind The Birds, Jaws, and Night of the Living Dead at various times, obviously, but director Ron Underwood and screenwriters Brent Maddock and S. S. Wilson provide us with a talented ensemble cast playing quirky and likable characters, as well as interesting and intelligent monsters, nifty special effects that bring the monsters to life, and the ability to balance horror and humor, that Tremors becomes a minor classic with a fresh and funky vibe all its own.

Kevin Bacon and Fred Ward star as Val (short for Valentine) and Earl, two repairmen in the small town of Perfection, Nevada. Can you really call Perfection a small town when it’s Population 14 and Elevation 2135? Anyway, Bacon and Ward have incredible chemistry in Tremors and they’re every bit as good as Danny Glover and Mel Gibson in Lethal Weapon, for example. Their characters and their performances are stronger than what can be found within the average monster movie, and they form a strong human core at the epicenter of Tremors. We like these two characters a great deal and make an investment in their fate.

Finn Wilson is also quite good as seismology student (and potential Kevin Bacon romantic interest) Rhonda LeBeck. She’s not some dumdum, thankfully, and she fits right in alongside Val and Earl because she’s feisty and intelligent and resourceful and likable.

Supporting cast members Michael Gross, best known beforehand for playing Michael J. Fox’s dad on Family Ties, and Reba McEntire nearly steal the show as survivalist and prepper husband and wife Burt and Heather Gummer. Their scene in the basement when they do battle against one of the monsters earned a spot in the annals of unforgettable movie scenes next to the final scene in Road House.

Burt Gummer’s Gun Wall has, as matter of fact, its own fan page with the weapons listed: William and Moore 8 gauge, Heckler & Koch HK91, Colt AR-15 Sporter II, Remington 870, Winchester 1200 Defender, Winchester Model 1894, Winchester Model 70, Steyr-Mannlicher SSG-PII Rifle, Micro Uzi, Colt Single Action Army, Smith & Wesson Model 19, Beretta 92FS Inox, SIG-Sauer P226, Ruger Redhawk, Magnum Research Inc. Mark I Desert Eagle, M8 Flare Pistol, M1911A1, Walther P38, Luger P08, TT-33, Browning Hi-Power, Walther PPK, .600 Nitro Express, Browning Auto-5, Norinco Type 54, Ruger Mini-14, Uzi, Nambu Type-14, Ruger Mk1, Browning Hi Power, SIG-Sauer P228, .38 Derringer, Webley Mk1, S&W Model 66 3-inch barrel, S&W Model 66 4-inch barrel, S&W Model 686 5-inch barrel, Chinese SKS, Factory stock blued Ruger Mini-14, Auto Ordnance M1 Carbine with metal heat shroud, Mil-Spec M1 Carbine, M1 Carbine in aftermarket unfolding stock, and Ruger Mini-14 with Choate folding stock.

Okay, yeah, anyway, I’m glad that somebody went to such great lengths to keep organized stock of an inventory that could be considered a Dirty Harry dream come true.

There’s one super irritating, annoying character in Tremors — prankster Melvin Plug (Bobby Jacoby), a smug little teenage punk who never becomes a kill count statistic much to everybody’s chagrin who’s ever watched Tremors. He’s only a small blemish on the film, because we do get a certain satisfaction when Burt tells Melvin I wouldn’t give you a gun if it were World War 3 and eventually gives him a gun without bullets.

Tremors still comes equipped with such an inherent appeal in part because it’s one of those movies I would always sit and watch if I came across it on cable TV. I don’t know how many times I’ve watched it over the years, but I know it’s a lot and Tremors fits this definition of romp — a light fast-paced narrative, dramatic, or musical work usually in a comic mood.

Any way you define it, though, it’s a fun 96 minutes and I do know that, after writing this review, I do want to watch it once again.