Tag: Foul Play

Thank God It’s Friday (1978)

THANK GOD IT'S FRIDAY

THANK GOD IT’S FRIDAY (1978) *1/2

Alternate title: PRAISE JESUS FOR STEREOTYPES.

Let’s enumerate them.

— The underage girls Frannie (Valerie Landsburg) and Jeannie (Terri Nunn) who sneak in.

— The awesome dancer Marv Gomez (Chick Vennera).

— The aspiring singer Nicole Sims who’s played by a superstar singer (Donna Summer).

— The fast-talking DJ Bobby Speed (Ray Vitte) who seemingly holds the fate of the world in his little hands, one record at a time.

— The straight married couple, Dave (Mark Lonow) and Sue (Andrea Howard), who are wanting to broaden their horizons. I believe they have the last name “Dullard.” Dave and Sue Dullard. Perfect.

— The swinging ladies man owner Tony (Jeff Goldblum) who makes a bet that he can conquer a married woman tonight. Sue Dullard, maybe?

— Two hopelessly polar opposite dates, Gus (Chuck Sacci) and Shirley (Hilary Beane), who have been set up by a computer dating service.

— Oh, there are more and more and more stereotypes in the cast, including Jennifer played by future star Debra Winger, but I’ll cut myself a little bit slack and cut this list very, very, very short.

— I should mention that it’s Friday night, of course, at the Zoo and the Commodores are slotted to play if Floyd (DeWayne Jessie) shows up with the instruments. I have a feeling that Floyd will let us down, but honestly, I believe that he flew the coop to go work on his scene in NATIONAL LAMPOON’S ANIMAL HOUSE (released two months after I LIKE SATURDAY MORE). You might remember Floyd as lead singer Otis Day of Otis Day and the Knights and their smash rendition of “Shout.” Floyd must fail at least long enough for Nicole to get her chance, though, because why else would Donna Summer be in the cast.

— Of course, the real stars of DEAR LORD IT’S DISCO are the songs: “After Dark” by Pattie Brooks, “Find My Way” and “It’s Serious” by Cameo, “Let’s Make a Deal” by G.C. Cameron & Syreeta, “Brickhouse” “Easy” and “Too Hot ta Trot” by the Commodores, “Romeo & Juliet” by Alec Constandinos, “You’re the Reason I Feel Like Dancing” by the 5th Dimension, “From Here to Eternity” by Giorgio Moroder, “Dance All Night” by Cuba Gooding, “Love Masterpiece” and “I’m Here Again” by Thelma Houston, “Disco Queen” and “Trapped in a Stairway” by Paul Jabara, “Do You Want the Real Thing” by D.C. LaRue, “Thank God It’s Friday” and “You Are the Most Precious Thing in My Life” by Love & Kisses, “I Wanna Dance” by Marathon, “Meco’s Theme” by Meco, “Floyd’s Theme” by Natural Juices, “Down to Lovetown” by the Originals, “Lovin, Livin’, and Givin’” by Diana Ross, “Sevilla Nights” by Santa Esmeralda, “Love to Love You Baby,” “With Your Love,” “Je T’aime (Moi Non Plus)” and “Last Dance” by Summer, “Take It to the Zoo” by Sunshine, “In Hollywood” and “I Am What I Am” by the Village People, and “Leatherman’s Theme” by Wright Brothers Flying Machine. This list should have been used to filibuster more than 40 years ago, but disco would seem to be outside the life experience of anybody in Congress then, now or tomorrow.

Nearly all those songs are from Casablanca Records, whose film division produced BLESS THE HIT SOUNDTRACK, and let’s just say the songs are far more memorable than any character. This is the case of a soundtrack in search of a movie.

Summer’s “Last Dance,” in fact, won Best Original Song at the 1979 Academy Awards, beating out “Hopelessly Devoted to You” from GREASE, “The Last Time I Felt Like This” from SAME TIME, NEXT YEAR, “Ready to Take a Chance Again” from FOUL PLAY, and “When You’re Loved” from THE MAGIC OF LASSIE. Not exactly the most inspired songs.

— It’s kinda sorta interesting to see Goldblum, Winger, and Nunn (future Berlin lead singer who earned an Academy Award for Best Original Song for “Take My Breath Away”) in the early stages of their careers, but really not all that interesting. A great title and a good soundtrack do not always make for a good movie. Exhibit A: THANK GOD IT’S FRIDAY.

Foul Play (1978)

FOUL PLAY

FOUL PLAY (1978) Three stars

Universal Studios demanded that Chevy Chase, the first breakout star from “Saturday Night Live,” be cast in NATIONAL LAMPOON’S ANIMAL HOUSE. However, in a lunch between ANIMAL HOUSE director John Landis, producers Matty Simmons and Ivan Reitman, and Chase, Landis played a Jedi mind trick on Chase, telling him that ANIMAL HOUSE would be an ensemble piece whereas FOUL PLAY would let Chase be a star. Chase stayed with FOUL PLAY and ANIMAL HOUSE cast Tim Matheson in the Otter role.

FOUL PLAY debuted July 14, 1978, and ANIMAL HOUSE came out two weeks later.

ANIMAL HOUSE made $141.6 million on a $3 million budget and changed the face of comedy forever. Yes, every year we get at least one comedy that would not have been possible without the example set by ANIMAL HOUSE. Meanwhile, FOUL PLAY generated $45 million and has been consigned to the margins of history.

It’s certainly not a bad movie by any stretch of the imagination, but it does pale in comparison when stacked up against ANIMAL HOUSE. Granted, FOUL PLAY chased different goals than the undeniably anarchic, anti-establishment ANIMAL HOUSE.

FOUL PLAY is the byproduct of writer and director Colin Higgins (1941-88). He’s one of those cases where you just might not know the name but you definitely know his movies. He made his name in Hollywood by penning the screenplay for the legendary cult favorite HAROLD AND MAUDE (1971). Five years later, he wrote the screenplay to SILVER STREAK, a comedic thriller hit pairing Gene Wilder and Richard Pryor. Higgins made his directorial debut with FOUL PLAY and would end with three directorial credits, 9 TO 5 and THE BEST LITTLE WHOREHOUSE IN TEXAS his second and third efforts. Additionally, Higgins wrote the screenplay for all three comedies he directed. All five comedies enjoyed some level of success.

Nominally Chase and Goldie Hawn are the stars of FOUL PLAY, but the writing and directing style of Higgins should not go unappreciated.

Both SILVER STREAK and FOUL PLAY stand out from HAROLD AND MAUDE, 9 TO 5, and THE BEST LITTLE WHOREHOUSE, in the fact they are heavily influenced by Alfred Hitchcock. SILVER STREAK screams Hitchcock’s 1938 thriller THE LADY VANISHES and FOUL PLAY references THE 39 STEPS, SABOTEUR, NORTH BY NORTHWEST, THE MAN WHO KNEW TOO MUCH, NOTORIOUS, VERTIGO, and PSYCHO. Fans of the Master of Suspense will also be delighted by Higgins’ inclusion of what the maestro called “The MacGuffin,” which is a roll of film hidden in a pack of cigarettes in FOUL PLAY.

I know that Hitchcock himself loved Mel Brooks’ HIGH ANXIETY, a 1977 affectionate spoof of suspense films mostly focused on Hitchcock’s SPELLBOUND, VERTIGO, PSYCHO, and THE BIRDS, so it is quite possible that he enjoyed FOUL PLAY.

In FOUL PLAY, librarian Gloria Mundy (Hawn) finds herself in the midst of a bizarre plot that ultimately involves an assassination attempt on the pope. We have a dwarf, an albino, a wild and crazy guy who attempts to seduce Miss Mundy, a karate fight between two highly unlikely combatants, an endless chase scene, and a pair of Japanese tourists who are big fans of Kojak and bang, bang! This is a pleasantly silly concoction and Hawn takes us through what turns out to be an overlong motion picture at 115 minutes. Or maybe it just felt that way every single damn time I heard the song “Ready to Take a Chance Again,” which predated the similar use of the song “That’s What Friends Are For” a few years later in NIGHT SHIFT. In both cases, I was ready to hear another song again instantly.

What about Chase? He’s part of an ensemble and he almost gets lost in the shuffle at times in his first movie leading role, but this is one of his better performances and his best films. Chase plays a capable leading man paired with Hawn.

Dudley Moore (1935-2002) basically steals every scene that he’s in and his work here led to his being cast in Blake Edwards’ 10, Burgess Meredith (1907-97) made four movies in 1978 and this is the one where his character knows martial arts, and Rachel Roberts’ last screen credit before FOUL PLAY was the eccentric Australian thriller PICNIC AT HANGING ROCK. Moore and Brian Dennehy, Chase’s partner, appeared together in 10.

FOUL PLAY is a minor film with minor charms, but sometimes that’s more than enough or just enough to hit the spot.