Squirm (1976)

SQUIRM

SQUIRM (1976) Three stars

You either have a predisposition for liking a silly creature feature like SQUIRM or you don’t.

I thankfully do.

Just a couple quick statements.

1) That’s a lovely title.

2) It’s produced by American International Pictures (1954-80), one of the best production outfits in the motion picture business.

3) I’d rate SQUIRM the second-best killer worm picture right after TREMORS.

Granted, I’m not exactly sure how many killer worm movies there are in existence.

SQUIRM, written and directed by Jeff Lieberman, reminds yours truly of the 1972 classic from American International, FROGS.

American International promoted FROGS with the immortal tagline “Today the pond, tomorrow the world.”

Meanwhile, SQUIRM received, “This was the night of the crawling terror!” Crawling terror in all caps! Like CRAWLING TERROR!

The opening title card informs us that SQUIRM is “based on a true story.” Are you gonna fall for that one?

Intense storms hit Fly Creek, Georgia and electricity from downed power lines + wet soil creates mad worms … and they develop an insatiable taste for human flesh. Of course, they do … or we’d not have much of a movie, at least not much of a one worthy of the title SQUIRM.

We have two gingers for our protagonists: Mick (Don Scardino), a no-count city slicker who seems to get on just about everybody’s bad side, especially good ol’ boy Sheriff Jim Reston (Peter MacLean) and creepy romantic rival Roger Grimes (R.A. Dow), and Mick’s romantic interest Geri (Patricia Pearcy).

Right off the top of the old noggin, I cannot think of another film headlined by a pair of redheads.

Mick starts off on the wrong foot real quick when he orders an egg cream. An egg cream in Fly Creek, Georgia? Only a city slicker would make such an order.

What’s an egg cream? Milk, carbonated water, and flavored syrup, apparently, and it does not contain eggs or cream. New Yorkers loved them some egg cream. Why do them old Pace Picante commercials leap to mind?

Mick encounters a worm in his egg cream and freaks out. Boy, oh boy, he’s not making friends very fast around here.

It all sort of reminds you of Dustin Hoffman’s work alienating the natives in Sam Peckinpah’s STRAW DOGS.

Many years ago, I brought in a DVD haul that included AFTER HOURS, ERASERHEAD, and FROGS.

Just from that day alone, I could have started the “So You’re Think You’re Having a Bad Day” Film Festival.

SQUIRM could make the cut, just based on what happens to Roger alone.

Shakespeare, “A coward dies a thousand times before his death, but the valiant taste of death but once. It seems to me most strange that men should fear, seeing that death, a necessary end, will come when it come.”

Roger “dies” a thousand times in SQUIRM. At least it seems that way. You can’t keep a good creep down.

He’s the SQUIRM character remembered most.

I read an interview with Lieberman where he recounted how most of the inner-city audience in a 900-seat theater rooted for Roger and wanted both redheads to die either by Roger or the worms.

SQUIRM amounts to a whole lot of fun, but take my word with a grain of salt especially since I have a predisposition to like this kind of movie.

squirm /skwərm/: wriggle or twist the body from side to side, especially as a result of nervousness or discomfort. Synonyms: wriggle, wiggle, writhe, twist, slide, slither, turn, shift, fidget, jiggle, twitch, thresh, flounder, flail, agonize.

“SQUIRM made late Atlanta Braves broadcaster Skip Caray squirm.”

Godzilla vs. Hedorah (1971)

DAY 6, GODZILLA VS. THE SMOG MONSTER

GODZILLA VS. HEDORAH (1971) Three-and-a-half stars
Greg Kihn’s “The Breakup Song” posited that they don’t write ’em like that anymore.

Well, they don’t make movies like GODZILLA VS. HEDORAH (Toho Company title and version in 1971) or GODZILLA VS. THE SMOG MONSTER (American International title and version in 1972) or, for that matter, movies like INVASION OF THE BEE GIRLS and INFRA-MAN anymore. Where do you start with movies like that? Where do you end?

GODZILLA VS. THE SMOG MONSTER must be seen to be or not to be believed. It’s ridiculous, absolutely and sublimely ridiculous, in ways that only a truly great “bad” movie can be.

Honestly, though, I don’t think it’s bad at all and it’s definitely infinitely better than the 1998 American GODZILLA starring Matthew Broderick. I mean, come on, Roland Emmerich and Dean Devlin, you create a pair of characters based on Siskel & Ebert after their negative reviews of your previous movies and then you don’t have the testicular fortitude to kill them off. Wusses!

This is the 11th GODZILLA movie in the series and it honestly features just a little bit of everything.

No, seriously.

The IMDb plot summary: “From Earth’s pollution a new monster is spawned. Hedorah, the smog monster, destroys Japan and fights Godzilla while spewing his poisonous gas to further the damage.”

That only barely scratches the surface of GODZILLA VS. THE SMOG MONSTER. Even if the movie only revolved around that plot summary, I would be interested, but this flick goes the extra mile to entertain us.

Just yesterday I wrote about how I love it when a horror movie takes on more than just being a horror movie and gives us more.

That applies to Godzilla movies or any genre for that matter.

In this 11th Godzilla movie, we have a pro-environmental message replete with a song titled “Save the Earth,” we have a psychedelic freakout in a club with a tripping dude conjuring up partiers adorned with fish heads, we have weird animated interludes, we have little scientific lessons on nebulas and the like, we have a smog monster who looks more like a shit monster, and, last but definitely not least, a flying Godzilla, yes, a flying Godzilla using his atomic breath for jet propulsion. Was the similar scene in ROBOCOP 3 a tribute?

Those are simply the highlights.

Thankfully, the Save-the-Earth message doesn’t get too preachy or smug (it’s not ripe to be mocked by “South Park”) because of everything else surrounding it.

It’s a dark movie overall and genuinely scary in a few parts, because, let’s face it, none of us want to be killed by a shit monster.

Godzilla and Hedorah go 15 rounds in a heavyweight fight.

Godzilla vs. The Smog Monster could have been paired with Ali vs. Frazier, a creature feature before or after the boxing match.

The geniuses at American International ran GODZILLA VS. THE SMOG MONSTER together with FROGS. What a pair! Best pair since Marilyn Monroe, right?

I’ve long been fascinated by what movies are titled in country from country. We’ve already covered a pair of titles for the 11th Godzilla movie and here’s four more. How about HEDORAH, LA BURBUJA TOXICA (Spain) or HEDORAH, THE TOXIC BUBBLE.

GODZILLA CONTRA MONSTRUOS DEL SMOG (Mexico) or GODZILLA AGAINST MONSTERS OF SMOG.

FRANKENSTEIN’S BATTLE AGAINST THE DEVIL’S MONSTER or FRANKSTEINS KAMPF GEGEN DIE TEUFELMONSTER in German.

GODZILLA CONTRE LE MONSTRE DU BROUILLARD (French) or GODZILLA AGAINST THE MONSTER OF FOG.

That’s just a brief international title sampler.