Category: 2019

Godzilla: King of the Monsters (2019)


GODZILLA: KING OF THE MONSTERS (2019) ***
The latest Godzilla: King of the Monsters inspires mixed feelings.

On the one hand, Warner Bros. pumped an estimated $170-200 million into King of the Monsters (likely more spent on this one Godzilla picture than all the Toho Studios productions combined) and cast a diverse, multinational group of actors and actresses, Kyle Chandler, Vera Farmiga, Millie Bobby Brown, Bradley Whitford, Sally Hawkins, Charles Dance, Thomas Middleditch, Aisha Hinds, O’Shea Jackson Jr., David Straithaim, Ken Watanabe, and Zhang Ziyi. Perhaps, most importantly for them, they are not dubbed, badly dubbed.

On the other, King of the Monsters spends way too much time in banter and disputes between scientists, military men, etc., and it’s still cliché dialogue no matter what if read by an Oscar winner or not. When the monsters Godzilla, King Ghidorah, Mothra, and Rodan do fight, it’s somehow not enough and I wanted King of the Monsters to give us a good old Royal Monster Mash Rumble right out in the middle of the streets in broad daylight, for crying out loud. Watching King of the Monsters for a second time, I felt tempted to begin chanting “No rain! No rain! No rain!” but I doubted there were any Woodstock or Live Rust fans aside from me in the house, so I restrained myself and thought better to save it for this review.

Honestly, I definitely miss all the bizarre little touches Toho sprinkled throughout their Godzilla films, especially the 1954-75 Showa Era. For example, it took a little time to wrap my warped little mind around seeing Mothra without her representatives from Infant Island, two tiny twin fairies who speak for and accompany Mothra and sing “Mothra’s Song,” “Mothra oh Mothra / If we were to call for help / Over time, over sea, like a wave / You’d come / Like a guardian angel / Mothra oh Mothra.” To be fair, King of the Monsters references the twins through twin scientist characters Ilene and Ling Chen (played by Ziyi) and we do get an instrumental version of “Mothra’s Song” late in the picture.

King of the Monsters could have used a lighter touch.

I liked the first Warner Bros. Godzilla more than King of the Monsters and I have no doubt Godzilla 2014 benefited more from the novelty of being a serious Godzilla film, which took so many of us by surprise because that’s not what we expected from an American Godzilla film after the disastrous 1998 production brought to us kind folks by TriStar Pictures and the creative partnership — writer and director Roland Emmerich and writer and producer Dean Devlin — who previously dumped Stargate and Independence Day on humanity.

Regardless, I am looking forward to Godzilla vs. Kong whenever that moment will come.

Playing with Fire (2019)

PLAYING WITH FIRE

PLAYING WITH FIRE (2019) One star

Imagine our surprise when the opening credits began at the Flick Theatre in Anderson, Missouri, and it was PLAYING WITH FIRE and not JOKER that we had for our entertainment or, in this case, lack of entertainment pleasure.

I would like to start the long road to recovery by writing this review.

PLAYING WITH FIRE belongs to a rather dubious sub-genre where passable, let alone good, movies are nearly impossible to find: The Big Man vs. Bratty Children. Let’s see, in the past 25-odd years, we have seen Hulk Hogan in MR. NANNY, Vin Diesel in THE PACIFIER, Ice Cube in ARE WE THERE YET?, Dwayne Johnson in TOOTH FAIRY, and now the latest perpetrator John Cena in PLAYING WITH FIRE.

I doubt any of those movies even approach Arnold Schwarzenegger’s KINDERGARTEN COP, the CITIZEN KANE of The Big Man vs. Bratty Children sub-genre.

I say doubt in the previous sentence since luckily, I’ve missed most of those movies because life is short and I only have a finite amount of time watching movies, so why put myself through something that’s akin to a root canal without sedative.

Personally, I feel like every one of those movies barring one (the one starring Arnold) should be shortened to a poster, because everything we need to know about MR. NANNY, THE PACIFIER, ARE WE THERE YET?, TOOTH FAIRY, and PLAYING WITH FIRE can be contained in a 24 x 36.

Hell, I recommend watching KINDERGARTEN COP again every single time a new Big Man vs. Bratty Children movie slithers into multiplexes everywhere.

There’s not a single unpredictable moment in PLAYING WITH FIRE.

I must in all honesty report that I almost, almost, laughed out loud a couple times during PLAYING WITH FIRE. I smiled a couple times.

More often than not, however, the 96 minutes of PLAYING WITH FIRE afforded me the opportunity to practice my poker face or hone my groan.

The last firefighter movie we saw at the Flick was ONLY THE BRAVE and now we have one good firefighter movie and one bad firefighter movie on the dossier. I do wish the nearest fire department would have stopped in and put out PLAYING WITH FIRE.

PLAYING WITH FIRE should not be confused with the 1984 New World production THEY’RE PLAYING WITH FIRE … just as John Cena and his bust should not be confused with Sybil Danning and her bust.

Youngsters might not remember Ms. Danning. She and Lou Ferrigno clashed while making HERCULES and Ferrigno legendarily made Danning wear a cloak so she would not upstage the bodybuilder turned actor. The nerve of that big lug, who demanded that Danning be changed from the good princess to the villain and the picture be made kid-friendly because Ferrigno did not want to disappoint any fans he earned from “The Incredible Hulk.”

A strong female presence like Ms. Danning would have been welcomed in PLAYING WITH FIRE.

Instead, they just waste Judy Greer. Greer and Cena share no chemistry whatsoever.

That is true and here’s another truth: If you play with fire and watch PLAYING WITH FIRE, you will get burned.