The Wasp Woman (1959)

THE WASP WOMAN (1959) **

Seems like only yesterday — time’s such an elusive concept during quarantine — that I highlighted the deceptive print ads and posters for THE GIANT CLAW.

Today, we return to that beat with Roger Corman’s 1959 wasploitation “non-classic” THE WASP WOMAN — do not fear, it’s not another movie about yet another “White Anglo-Saxon Protestant” woman. Instead, in this one, our protagonist takes, no, abuses an experimental potion made from the royal jelly of wasps that can apparently reverse the aging progress. Unfortunate side effect that even more unfortunately only kicks in during the film’s last 20 minutes: It turns her into the title character or “A BEAUTIFUL WOMAN BY DAY — A LUSTING QUEEN WASP BY NIGHT.”

Anyway, the poster for THE WASP WOMAN, it lies. Oh, how it lies. The poster “Wasp Woman” has a woman’s head and a wasp’s body. In the film, it’s flipped and she resembles a distant cousin of the title character in the much, much better THE FLY from 1958.

THE WASP WOMAN itself could make one feel appreciably older, rather than younger, because it’s extremely dull for the first hour.

We have a crusty old scientist named Zinthrop (Michael Mark). He’s not fun in any traditional mad scientist way … and, then, he’s ran over by a car and subsequently bed ridden for most of the rest of the picture … of course, his accident happened before he could warn our protagonist Janice Starlin (Susan Cabot) of some of the unfortunate side effects found in the other non-human test subjects. He redeems himself in the final act. Actually, no, he does not.

Believe it or not, most of this movie takes place in an office building, the location for the monster movie of your dreams. On top of a dull scientist, we have multiple cosmetic company staff meetings, just exactly what the viewers want during a movie called THE WASP WOMAN. Less wasp woman, more staff meetings, bingo! This movie should have been titled CLUELESS in roughly all 6,500 languages of the world.

By the way, I do believe the film shows bees rather than wasps, most notably in both the opening and closing title screens. I might be wrong, but I don’t want to be stung for being wrong. Please, have mercy on me, I’ve been stung bad enough watching THE WASP WOMAN, which definitely pales against ATTACK OF THE CRAB MONSTERS in the Roger Corman monster movie filmography.

In 1993, TNT’s MonsterVision featured THE WASP WOMAN alongside THE GIANT CLAW, THE CYCLOPS, CREATURE WITH THE ATOM BRAIN, FROM HELL IT CAME, VALLEY OF THE DRAGONS, and THE WEREWOLF during a bad movie marathon called “A Christmas Nightmare.” THE WASP WOMAN played between THE CYCLOPS and CREATURE WITH THE ATOM BRAIN.

At that point in my life, I did not watch “MonsterVision”; I started watching it only during the Joe Bob years. I would love to go back in time to the early ‘90s and talk my teenage self into watching (and taping) “MonsterVision,” so I could have all them old tapes to watch at this critical junction in time. Also, I am sure that I would have already converted them from VHS to DVD. Preservation of the species of bad movies is an imperative.

Plan 9 from Outer Space (1959)

 

PLAN 9 FROM OUTER SPACE (1959) Four stars
Discourse around Ed Wood’s 1959 feature gives us two options: it’s either the worst movie ever made or it’s so bad that it’s actually good.

Having recently watched PLAN 9 twice, once near the 60th anniversary of the film’s initial release on July 22, I find that I disagree with both options, especially the first one.

It’s a great movie, because I traditionally equate personal enjoyment with greatness and I enjoy the living dead out of PLAN 9.

Wood’s films have been called “accidental avant-garde” or Wood didn’t know what he was doing and this sheer ineptitude created something arguably more bizarre. Wood’s films, like Ray Dennis Steckler’s THE INCREDIBLY STRANGE CREATURES WHO STOPPED LIVING AND BECAME MIXED-UP ZOMBIES and RAT PFINK A BOO BOO, exist in their own realm despite taking on many genres.

For example, in PLAN 9, we have horror, science fiction, action, adventure, and drama.

Sure, that seems like nothing special because a lot of movies yesterday and today and tomorrow mix and match genres, but just wait until you see PLAN 9.

What other movie would begin with a spiel from a psychic named “The Amazing Criswell” (1907-82) who became infamous for making “wildly inaccurate predictions.” (Aside from another Ed Wood film, of course.)

Criswell sets the tone for the rest of the movie right from the very start, “Greetings, my friend. We are all interested in the future, for that is where you and I are going to spend the rest of our lives. And remember my friend, future events such as these will affect you in the future. … My friend, can your heart stand the shocking facts about grave robbers from outer space?”

Wood had originally planned for GRAVE ROBBERS FROM OUTER SPACE to be his title, but financier J. Edward Reynolds, a devout Southern Baptist, found GRAVE ROBBERS offensive and Wood changed it to the title we all know and love. Wood and several cast members were even baptized at Reynolds’ church.

Taking into consideration the fascinating nature of the cast and Wood himself, you understand why Tim Burton’s fantastic ED WOOD focused so much time on PLAN 9.

— Criswell, given name Jeron Criswell King, became a fringe celebrity in Hollywood and he cut an entertaining figure at parties with his predictions. Criswell appeared on late night TV (he predicted 1966 on Johnny Carson), published his predictions in both magazines and newspapers, and wrote three books — “From Now to the Year 2000,” “Your Next Ten Years,” and “Forbidden Predictions” — and made a record titled “The Legendary Criswell Predicts Your Incredible Future” (which can be found online). Criswell’s friend and fellow PLAN 9 cast member Paul Marco released Criswell’s song “Someone Walked Over My Grave” after Criswell’s 1982 death, apparently because Criswell wanted it released that way.

— Finnish-American actress Maila Nurmi (1922-2008) became better known as “Vampira,” who hosted horror movies on her own series, “The Vampira Show,” from 1954-55 on KABC-TV in Los Angeles. Vampira is a combination of Morticia Addams, the Dragon Lady from “Terry and the Pirates,” and the evil queen from “Snow White.” Vampira sued horror movie host Elvira for $10 million for “infringing upon her trademark, public reputation and ability to market her lucrative character.” “The character was ripped off,” Vampira’s attorney Jan Goodman said. “Hopefully, my client will be fairly compensated and Cassandra Peterson will continue with her character and share the proceeds with my client.” The court ruled in favor of Elvira, “‘Likeness’ means actual representation of another person’s appearance, and not simply close resemblance.” Vampira played a silent role in PLAN 9 reportedly because she wanted absolutely nothing to do with the dialogue written by Wood.

— Hollywood legend Bela Lugosi (1882-1956) found his roles diminished greatly because his dependence on morphine and methadone for his sciatic neuritis became known by Hollywood producers. Lugosi and Wood struck up a friendship, and Wood cast Lugosi in GLEN OR GLENDA? and BRIDE OF THE MONSTER. Wood filmed Lugosi picking a flower in front of Tor Johnson’s home, which became Lugosi’s final work on film because the great actor died five months before production on PLAN 9 began. Lugosi’s absence obviously left a major hole in PLAN 9 and chiropractor Tom Mason stepped in for Lugosi in a way that predates the Bruce Lee subterfuge in GAME OF DEATH. It’s just as effective as GAME OF DEATH, as well, to get that out of the way. Mason stalks through his every scene in PLAN 9 with a cape over his face, a classic Lugosi gesture borrowed from his final performance as Dracula in ABBOTT AND COSTELLO MEET FRANKENSTEIN (1948). Legend has it that Lugosi was even buried in his cape.

— Swedish professional wrestler Tor Johnson (1902-71) appeared in 31 movie roles over nearly 30 years, mostly as a weightlifter or a strongman. Wood let the hulking Johnson speak in PLAN 9 and you will quickly realize why Johnson’s other roles were non-speaking. In fact, you might wish that he was mute like both Lugosi and Vampira in PLAN 9, but I find his dialogue as Inspector Daniel Clay strangely endearing, just like the movie itself, especially his line “I’m a big boy now, Johnny.” Johnson scared Groucho Marx on “You Bet Your Life” in 1954, where he weighed 387 pounds “soaking wet.” Groucho said, “With those measurements, you oughta be twice as attractive as Jayne Mansfield.” Johnson — played by fellow former professional wrestler George “The Animal” Steele in ED WOOD — also became a Halloween mask.

— Character actor Duke Moore (1913-76) had the distinction of his entire character actor career being spent in Ed Wood productions: CROSSROADS OF LAREDO, FINAL CURTAIN, NIGHT OF THE GHOULS, PLAN 9, THE SINISTER URGE, and TAKE IT OUT IN TRADE. In PLAN 9, he plays Lt. Harper, who’s not a very responsible gun owner. Lt. Harper touches his gun underneath his hat, holds it on top of his trench coat, and even points it at himself several times. According to Internet Movie Database trivia, Moore pointed the gun at himself deliberately to see if Wood would notice. Of course, Wood did not.

— Speaking of character actors, Lyle Talbot (1902-96) appeared in more than 150 films over a 56-year career. Talbot’s daughter Margaret wrote a book on her father called “The Entertainer: Movies, Magic and My Father’s 20th Century,” as Lyle worked in a carnival, as a hypnotist’s assistant, in theater, in the movies, and on TV. Lyle played Joe Randolph in 71 episodes of “The Adventures of Ozzie and Harriet” from 1956 to 1966. Lyle’s son, Stephen, played Gilbert on “Leave It to Beaver” (1957-63) and later became a journalist and documentarian. You will notice Lyle Talbot real quick in PLAN 9 because of the level of his performance.

— Dudley Manlove (1914-96, not Manlike, please, Auto Correct) has a voice that will make you think he’d be great in radio. Sure enough, looking up Manlove today, I discover that he worked on radio stations in Oakland and San Francisco. Manlove plays Commander Eros in PLAN 9.

— Independently wealthy, openly gay, and sex change seeking theatrical actor John “Bunny” Breckinridge (1903-96) made his only film appearance as “The Ruler” in PLAN 9.

Breckinridge’s obituary, “John ‘Bunny’ Breckinridge, an eccentric and troubled San Francisco millionaire who entertained grandly, served time in jail for vagrancy and was sued by his mother for lack of support, died Tuesday, November 5th, 1996 of heart failure in a Monterey nursing home. …

“Mr. Breckinridge, the great grandson of U.S. Vice President John Breckinridge and of Wells Fargo Bank founder Lloyd Tevis, was born in Paris. He spent time at Eton College and Oxford University in England and at the Atascadero State Hospital for the criminally insane.

“He was known for his flamboyant lifestyle, outrageous comments and penchant for perfume and costume jewelry. He performed in Shakespearean plays in England before coming to San Francisco in the late 1920s.

“He married the daughter of a French countess in 1927. The couple was divorced in 1929.

“‘I was a little bit wild when I was young, darling, but I lived my life grandly,’ he said.”

Bill Murray played Breckinridge in ED WOOD, so they’ve both got that going for them.

— Fumbling, bumbling, stumbling cop Kelton, played by Paul Marco (1927-2006), appeared in three Ed Wood productions and they form the “Kelton Trilogy” — BRIDE OF THE MONSTER, PLAN 9 FROM OUTER SPACE, and NIGHT OF THE GHOULS. Marco introduced Breckinridge to Wood, as the circle of friends around Wood expanded into his movies.

— Gregory Walcott (1928-2015) long regretted that he ever had anything to do with PLAN 9 FROM OUTER SPACE. From a 2000 Los Angeles Times article, “Drawbacks like this [Lugosi being dead] didn’t faze Ed Wood. He used a home movie of Lugosi and an impersonator. He used non-union crews and borrowed equipment. Walcott agreed as a favor, not even telling his agent, but regretted it instantly and for years thereafter. Virtually every reference guide labels PLAN 9 FROM OUTER SPACE the worst movie ever made.”

By the time (2000) that his old hometown of Wilson, North Carolina held a two-day Gregory Walcott Film Festival, Walcott (given name Bernard Mattox) had made peace with both Wood and PLAN 9.

“I didn’t want to be remembered for that,” Walcott said in the Times. “But it’s better to be remembered for something than for nothing, don’t you think?

“So I guess I owe Ed Wood an apology after all these years. Thanks, Ed.”

— Conrad Brooks (1931-2017), along with Walcott and Marco, appeared in Tim Burton’s ED WOOD and then, in his 80s, appeared in the 2015 PLAN 9 FROM OUTER SPACE remake directed by John Johnson and featuring such notables as Brian Krause, Camille Keaton, Mr. Lobo, and James “Angry Video Game Nerd” Rolfe.

Brooks, who played Patrolman Jamie in PLAN 9, was the last of the surviving Ed Wood actors.

— Wood (1924-78) unfortunately did not live to see the cult following that built up around PLAN 9 since 1980 when authors Harry and Michael Medved named it the “worst film ever made” in their book “The Golden Turkey Awards.” That pronouncement got the ball rolling.

Tim Burton’s rather feel good film only reinvigorated interest in both Wood and his filmography. ED WOOD treats PLAN 9 like a sacred text and jumps off the life story and filmography at that point. Wood’s later career included erotica, pornography, and even sexual education movies; Wood also wrote many pulp crime, horror, and sex novels.

ED WOOD (which undoubtedly cost more than all of the real Ed Wood’s films combined) also skips Wood’s alcoholism, but, hey, at least it does not skimp on his love of angora. (It’s also the most affectionate tribute from one director to another that I have ever seen, the film’s biggest strength.)

There’s even a Church of Ed Wood and if you go to www.edwood.org, you will have to click OK to “www.edwood.org says To answer your first question — yes, we’re serious!

“Woodism is a pop-culture-based religion created in 1996 by Reverend Steve Galindo. We follow the late cult director Edward D. Wood Jr., and we look to him as a savior. We at The Church of Ed Wood use Ed and his films to inject spirituality into those who get little fulfillment from more mainstream religions like Christianity. By looking at his films and his life, we learn to lead happy, positive lives. We strive for acceptance of others and of the self.”

I first encountered BRIDE OF THE MONSTER and PLAN 9 FROM OUTER SPACE around 12 years ago when Rob Zombie hosted “TCM Underground” on Turner Classic Movies, a show that I definitely miss since not having cable TV after the 2012 Election. I taped both movies, as well as Zombie’s bookend intros and outros for both, and that’s how I watched PLAN 9 twice recently.

I don’t write over 2,000 words on just any movie, so that only shows how much I love PLAN 9 FROM OUTER SPACE.

I love all the errors (boom mics visible, night-and-day day-and-night shifts during scenes), the cheesy special effects (love them flying saucers), the incongruous stock footage, the cast of goofball characters, the loopy dialogue, and, of course, Criswell’s narration.

BRIDE OF THE MONSTER (1955) Three stars; ED WOOD (1994) Four stars; PLAN 9 FROM OUTER SPACE (1959) Four stars