Forced Vengeance (1982)

FORCED VENGEANCE (1982) **1/2
Slow motion’s absolutely vital to understanding the cinematic and TV work of the one and only Carlos Ray Norris.

Slow motion’s everywhere, in action movies, sporting events, movie musicals, etc. To the point that we don’t even realize how everywhere it’s become.

Over the decades, for example, slow motion became a customary tool in violent scenes, from Arthur Penn’s Bonnie and Clyde and Sam Peckinpah’s The Wild Bunch to The Matrix and beyond. Sometimes, I think Gee whiz, that’s awesome and very artfully done, but mostly I just think That’s super lame. I take off points for the obligatory and cheap use of slow motion.

Let’s see, off the top of my head, I deducted from The Lion King and Teen Wolf and Young Guns for their abuse of slow motion late in their motion picture spreads, while Kickboxer 2 flogs viewers with slow motion until it’s like receiving a slow motion roundhouse upside the head. For crying out loud, though, it’s slow motion, super slow even, and that gives us a greater chance to duck out of the way and to see all the cheap audience manipulation at play. I mean, I ducked the Kickboxer 2 roundhouse and found the Siskel & Ebert review playing alongside the movie inside my head esp. Ebert imitating the sounds of slow motion. It was more entertaining that way.

That brings us full roundhouse back to Norris, one of the foremost slow motion abusers.

A former co-worker said that his ears were ringing for a long time after he watched the Who play one of the Day on the Green concerts at Oakland-Alameda County Coliseum. He talked about being whacked upside the head by their incredible Wall of Noise. I soaked up this conversation.

“In 1976, the Who entered the Guinness Book of World Records for performing the loudest concert in history at the time during their concert at England’s Charlton Athletic Grounds with 76,000 watts at 120 decibels. This record would stand for nearly a decade.”

You can bet they used the Rock-o-meter from Rock ‘N’ Roll High School.

Anyway, now I will make the case for something that’s louder than any rock concert or sporting event, any plane taking flight, any hyena’s laugh, and any howler monkey.

For a couple months, I visited my Grandma for her bingo dominance Tuesday and Thursday. After the bingo hour, we’d return to her room and she’d turn her TV back on. Naturally, it would be Walker, Texas Ranger on Hallmark. Of course. At 3 every day, every single TV in the nursing home would simultaneously be turned on full volume and tuned in to Walker, Texas Ranger. That’d be probably close to 100 TVs. Yeah, we’ll go with 100 for the sake of hyperbole.

I’ve never in my life heard anything louder than 100 full blast TVs simultaneously reverberating Walker slow motion roundhouse kicks.

Guinness, book it.

I deducted a half-star from Forced Vengeance because it broke through my pain threshold for slow motion consumption early on during the final act leading toward a grand finale.

You have been forewarned.

Once again, though, a poster for a Norris spectacular earns four stars.

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